I have always been told to reduce before I reuse and
recycle. The chapter on Fashion, needs and consumption relates directly to this
push to change the way people think about clothing and fashion, building “a new
vision for fashion that satisfies needs and minimizes poverties.” (Pg 122)
Fletcher speaks about the importance of fashion to human
culture – how it proclaims who we are etc etc but in doing this we must also
recognize the “urgency of the sustainability agenda.”
What really captured my attention in the chapter is the idea
that garments create, sustain and evoke social integration, relationships and
creativity within society. “Relationships can be fostered by designing garments
that encourage us to ask deep questions about our sense of place in the natural
world…It is about designing confidence and capability-including pieces that
encourage versatility, inventiveness, personalization and individual participation.”
In conjunction with these ideas, Fletcher also talks about the “new aesthetic”
that creates a connection between the consumer and the natural world and how
the clothing they are wearing communicates this. “Aesthetics are important to
sustainability because they act as a great social attractor, an outlet for
ideas, a form of cross referencing and an agent for change.” Through informing
people about sustainability though a trend of clothing (e.g. unisex dressing)
you are bringing about a change in thinking in our consumerism society for
good. This may be as simple as green stitching as American Apparel uses on
their sustainably friendly clothing or the Kate Sylvester ‘Made in New Zealand
tags that sits along the price tag of her Made in New Zealand garments. One can
hope that one day that made in New Zealand tag will be as important as the
price tag as it is to a lot of consumers already.
In conclusion, I really like this idea that a garment should
integrate society, enhance relationships and increase thinking about
sustainability. I believe that in the current economical situation, people look
for more than just a ‘trend fix’ when looking for any type of clothing.
Conversely they want a story, or an idea behind the piece that sustains as
individual relationship. I see this all the time when I work at Kate Sylvester
– people want to know what the collection is about and how the print was
developed and what fabric it is etc etc. These ideas as not only fantastic for
sustainability and slowing down fast fashion but they are also a great
marketing scheme for a company with a background like Alain. Therefore, I want
this collection to stand out as being versatile, educating, durable, innovative
but most of all engaging. I can imagine people coming into a store and looking
at draped jackets/pants etc and thinking is this men’s of women’s, how do I
wear this, what is this made out of etc. At this point they either try it on
and do something individual with it or they ask the shop assistant and
immediately are engaged into a conversation. I want the collection to not only
be made in New Zealand but look like it is made in New Zealand also. This goes
right from the weather conditions in different cities (e.g. could have the
Wellington jacket, Auckland jacket etc) to the tags that inform consumers where
exactly there garment started and ended.
Time to start designing more!
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